Darwin artist in national exhibition

Posted: May 19, 2012 by lallen1403 in Arts & Culture
Tags: , , ,

Last month a new exhibition of contemporary art by Australian women opened at the Gallery of Modern Art in Brisbane. 

Local Darwin photographer/artist, Therese Ritchie, is included in Contemporary Australia Women which features emerging, established and senior Australian women artists. 

Well known in the Top End, the GOMA exhibition exposes Ritchie’s artistry to a national audience.

Not a ‘straight’ photographer

Senior Curator, Exhibitions and Research, Miranda Wallace, writes in the exhibition catalogue: “Ritchie’s interest in generating social, economic and political reform is at the core of her work, but her images are not those of a dispassionately analytical ‘straight’ photographer”.

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In this interview Ritchie talks about her reaction to the invitation to participate in the GOMA exhibition and about her experience of working on the streets of Alice Springs. 

A heart of darkness of our own making

Ritchie has undergraduate and graduate degrees in fine arts from the Charles Darwin University.  Curator of the University’s art collection, Anita Angel says that Ritchie’s work is “beyond photo-journalism or biographical documentary” and “goes where other image-makers of the Northern Territory frontier have rarely dared to venture: into a heart of darkness of our own making”.

 Listen to Sarah Kanowski interview Therese Ritchie on Radio National’s Weekend Arts program.

See Therese Ritchie’s portfolio and floor talk at GOMA.

You can visit the Contemporary Australia Women exhibition at the Gallery of Modern Art in Brisbane until 22 July 2012.

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Comments
  1. Karisa McCauley says:

    Hi,
    Great story.
    Would love to see more images in the slideshow, but those that are there are very engaging.
    Karisa

  2. mschneiders says:

    Very interesting to see this work by Therese Ritchie. I especially liked the Organs are Sacred image. The whole exhibition at GOMA looks like a great selection of work. I was interested in knowing what response there is, or has been, to her work, perhaps a critic’s perspective. Thanks, Mara

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